Adult Coloring with Makin's Clay® - Butterfly Wing

ADULT COLORING WITH MAKIN'S CLAY® by Cynthia Gougian 

It’s October, Pinterest, Instagram and Facebook are filled marvelous Halloween creations!

Unfortunately, here in Georgia, my outdoor thermometer was telling me it was still summer!   My original intent was to design some Halloween dragon fly wings.  But, my muse and the weather took me in another direction.  And, I am so glad that happened!  I stumbled on an adult coloring technique using Makin’s Clay®  and Prismacolor® pencils!  I am just so excited to share it! 

Materials:

·     Makin’s Professional® Ultimate Clay Machine®

·     Makin’s Clay®  15 g in black (1/4 of a 60 gram package)

·     Christi Friesen’s Flutter Wings ©2015 texture sheet, deep texture sheet of your choice.

·     An acrylic roller

·     Prismacolor® colored pencils, or soft colored pencils of your choice

·     Small embroidery scissors

·     A craft knife

·     Cornstarch, or powder

·     Grumbacher® Matte Final Fixative

·     1.5 mm Wire ferrule (Sometimes labeled for 16 AWG wire)

·     4 mm and 6 mm jump rings, or jump rings in sizes of your choice

·     Necklace cord of your choice

Instructions:

Step 1:  I used scissors to cut off about a ¼ block of 60 gram Makin’s® black clay. 

Step 2:  I wrapped the remaining clay in the plastic packaging, then immediately put it in a plastic bag with a wet paper towel.  I removed the excess air from the bag and sealed it tightly.  Makin’s® clay will remain fresh for quite sometime if you store it carefully.

Step 3:  I dusted the mold with some cornstarch.  You can dip a soft artist brush into some cornstarch, then brush it on the mold.  But, I use an old trick from my cake decorating days.  I place a clean, knee -high stocking into another knee-high stocking. I then fill the stockings with corn starch, and knot the top.  This makes a corn starch pounce.   I just pat the mold with the pounce to apply the cornstarch.  It’s less messy!

Step 4:  I rolled the black Makin’s® clay through the thickest setting of the Makin’s Ultimate Clay Machine®.  Then I placed the clay over the mold, and rolled over it with an acrylic roller. 

Step 5:  After rolling, I pressed the clay into the mold with my fingers.  I wanted to make sure I got all the details! 

Step 6:  Once I demolded the wings, I cut of most of the excess clay with embroidery scissors. I didn’t try to cut too close to the wings at this point.  

Step 7:  I stored the excess clay away so that I could use it again. 

Step 8:  I used the 1.5 mm wire ferrule to cut holes at the top of the wings.  Then I let the wings dry for 24 hours. 

Step 9:  Once the clay was thoroughly dry, it was easy to cut out the wings with embroidery scissors. 

Step 10:  Here’s a close up of the wing completely trimmed.  

Step 11:  I used Prismacolor® Apple green to color some of the cells of the wing. I found it was best to use gentle pressure on the pencil. I also found that small circular strokes worked best to obtain full coverage.  Long strokes left the colored areas looking streaky. 

Step 12:  I used Prismacolor® Lilac to color the remaining cells.  

Step 13:  Once the wing was fully colored, I added Prismacolor® Parrot Green to just the inside corner of the green cells. 

Step 14:  Then I added Prismacolor® Violet to just the inside corner of the lilac cells. 

Step 15:  Then, I used a Prismacolor® Colourless Pencil to blend the darker colors into the lighter colors.  If you don’t have a Prismacolor® Colourless pencil, you can use a white pencil, or a very light grey pencil to blend.   

Step 16:  Once or twice, I had slipped with my colored pencils.  I had gotten some color where I wanted the only the black clay to show. But, I was able to touch up the black areas with a Prismacolor® Black pencil.    

Step 17:  When I had finished coloring the wing, I applied two coats of Grumbacher® Matte Final Fixative, allowing the wing to dry thoroughly between coats. 

I was very happy with how well the Prismacolor® Pencils laid down on the Makin’s Clay®! Even though I used black clay, I got great coverage.  Dry Makin’s Clay® has a nice “tooth” (slightly rough texture). This makes it easy to add layers of beautiful color with the Prismacolor® Pencils.  I am looking forward to exploring this technique further and sharing more adult coloring projects!

When the fixative was dry, I used a jump ring to attach the wing to a necklace cord. 

Contemporary Brooches

Design Team member Cynthia Gougian recently shared these fantastic contemporary brooches. She created the modern textures with Makin's® Clay Texture Sheets. I used "Coils" and "Connectors" from the Clay Texture Sheets- Set H. Cynthia really enjoys using the textures in this set! She loves the dramatic, stylish effects they create!

Fall Jewelry Collection

Fall Jewelry Collection by Cynthia Gougian

This fall jewelry collection was fast and super easy to make!  I used simple techniques to create dramatic, contemporary looks.  I was pleasantly surprised at how many pieces I was able to create with just a small amount of clay and a few findings! 

Materials List:

·     Makin’s Professional® Ultimate Clay Machine®

·     Makin’s Clay®  30g  in yellow (1/2 of a 60 gram package)

·     Makin’s Clay®  30g in red (1/2 of a 60 gram package)

·     Makin’s Clay® 30g  in black (1/2 of a 60 gram package)

·     Makin’s® 3 piece oval cutter set

·     Wilton® 6-piece Nesting Fondant Double Sided Cutters,Leaf Cutters

·     Makin’s® 3 piece flower cutter set

·     An acrylic clay roller

·     A tissue blade

·     Cornstarch, or powder

·     400 grit wet dry sand paper 

·     Dust mask

·     Makin’s® Texture Sheets – Set H ( I used the sheet labeled “Abstract B”) 

·     Deco Color® Premium 3-way chisel point pen, gold (optional)

·     1.5 mm Wire ferrule (Sometimes labeled for 16 AWG wire)

·     1/16  drill bit

·     Earring Wires of your choice

·     4 mm and 6 mm jump rings, or jump rings in sizes of your choice

·     Necklace cord of your choice

Instructions:

I used a blended clay sheet to create a veneer.  I began by rolling out Makin’s Clay® 30g in yellow on the thickest setting of the Makin’s Professional® Ultimate Clay Machine®.

I then trimmed it into a rectangle shape.

I cut the rectangle into 2 triangles. Then, I stacked the triangles.

I repeated steps 1-3 with 30 grams of red clay.

I placed the stacked triangles next to each other. I offset the points of the triangles slightly.  Then I used my clay blade to trim the triangles into a square. 

I rolled over the seam with a clay roller to adhere the red and yellow clay.

I continued rolling until the clay was just a little thicker than the widest setting on Makin’s Professional® Ultimate Clay Machine®.

Then I rolled the clay through machine at thickest setting (setting #1).

I folded the clay in half. 

I then rolled the clay through the clay machine at the thickest setting, folded side first. 

I continued folding the clay in the same direction and rolling it through the machine. Each time the clay was folded and rolled; it caused the clay to blend.  In this photo, the clay had been folded and rolled about 6 times.

When I was satisfied with my blend. I trimmed the clay into a neat rectangle shape. 

I then rolled the blend, short side first through the clay machine on setting #4.

I used a knee-high stocking filled with cornstarch to dust the Makin’s® texture sheet-Abstract B.  Cornstarch prevents the clay from sticking to the texture sheet.

I placed the blended sheet of clay on the texture sheet.  Then I rolled over the clay firmly with my clay roller.

I rolled out 30g of black clay on setting 4 of the clay machine.

I then misted the black clay with water. 

I place the blended, textured veneer on the black clay.  Then, I gently patted the veneer to adhere it to the black clay without damaging the texture. 

I used one of the leaf cutters to cut a pendant from the veneer. 

Then, I used one of the smaller leaf cutters to cut my first earring. 

I flipped the veneer over, then used the same smaller leaf cutter to cut a second earring from the veneer.  Flipping the veneer over results in earrings that are mirror images of one another. 

I used a 1.5 mm wire ferrule to cut holes for jump rings in the pendant and earrings. 

I had plenty of veneer left over.  So, I used the largest oval cutter from the Makin’s® 3 piece oval cutter set to cut 2 oval shapes from the veneer. 

Then, I used the smallest oval cutter from the Makin’s® 3 piece oval cutter set to cut out the center of the large ovals. 

I also used the medium sized oval cutter from the Makin’s® 3 piece oval cutter set to cut two ovals from the veneer.  

I pinched the top of the oval to form petal shapes.

I still had a small amount of veneer left.  So, I used the smallest flower cutter from the Makin’s® 3 piece flower cutter set to cut  2 flowers from the veneer.

I allowed all the shapes to thoroughly dry for 24 hours. Then I sanded the edges with 400 grit sandpaper.  Please note, Makin’s Clay® should NOT be wet sanded.  It needs to be dry sanded.  And, a dust mask should be worn when sanding any material. 

After sanding, I assembled all the shapes into finished earrings and a pendant. First, I used a 1/16 drill bit to drill holes in the tops of the petal shapes

Then, I used the paint pen to apply gold to the edges of the petals.  

Finally, I used 6 mm jump rings to attach the petals to ear wires.

I also created earrings from the oval shapes.  I began by drilling holes in the large ovals. Then, I drilled the smaller ovals.  

I used 4 mm and 6 mm jump rings to attach the shapes to each other and to ear wires. 

 

The flower shapes became another set of earrings.  First, I drilled holes in them.  Then, I added gold paint pen to the edges.

I used four 4 mm jump rings to create dangles that I attached to ear wires.  

 

The leaf pendant and matching earrings were super easy to construct!  I simply used 6 mm jump rings to attach the shapes to ear wires and a pendant cord.

I am totally in love with Makin’s® Texture Sheets – Set H!  The “Abstract B” sheet is my absolute favorite.  I think the texture allowed me to turn simple shapes into hip, cutting edge designs.